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Research/Output

Theses

• Ladinig, O. (2009). Temporal expectations and their violations. Amsterdam: University of Amsterdam. PhD Thesis

• Ladinig, O. (2005). Der Einfluss von Text und Vokalisationen auf die Wiedererkennung von Melodien [The influence of text and vocalizations on melody recognition]. Klagenfurt: Universität Klagenfurt. Unpublished master’s thesis.

Peer-reviewed articles

• Ladinig, O., Brooks, C., Hansen, N.C., & Horn, K. (2019). Enjoying Sad Music: A Test of the Prolactin Theory. Musicae Scientiae, (in press). 

• Ladinig, O., & Huron, D. (2013). Minor mode cuing: Do composers signal minor mode earlier than major mode? Psychomusicology: Music, Mind, and Brain, 23, 117-122.

• Schellenberg, E.G., Corrigall, K.A., Ladinig, O., & Huron, D. (2012). Changing the tune: Listeners like music that expresses a contrasting emotion. Frontiers in Psychology, 3, article 574, 1-9.

• Ladinig, O., Schellenberg, G.E. (2012). Liking unfamiliar music: Effects of felt emotion and individual differences. Journal of Aesthetics, Creativity, and the Arts, 6, 146-154.

• Ladinig, O., & Honing, H. (2012). Complexity judgments as a measure of event salience in musical rhythms. Amsterdam: ILLC Prepublication Series, PP-2012-01.

• Ladinig, O., Schellenberg, G.E., & Huron, D. (2010). The role of contrasting musical characteristics in the appreciation of music. Proceedings of the 11th International Conference on Music Perception and Cognition. Seattle: Washington University.

• Ladinig, O., & Huron, D. (2010). Dynamic levels in Classical and Romantic Keyboard Music: Effects of Musical Mode. Empirical Musicology Review.

• Honing, H., Ladinig, O., Winkler, I., & Haden, G. (2009). Is beat induction innate or learned? Probing emergent meter perception in adults and newborns using event-related brain potentials (ERP). The Neurosciences and Music III — Disorders and Plasticity: Annals of the New York Academy of Sciences, 1169, 93–96.

• Vitouch, O., Deliège, I., & Ladinig, O. (Eds.) (2009). Musique et Evolution (“Psy – Théories, débats, synthèses”, eds. série M. Richelle & X. Seron). Liège: Editions Pierre Mardaga. [= Extended French book edition of Vitouch & Ladinig (Eds.), 2009]

• Vitouch, O., & Ladinig, O. (Eds.) (2009). Music and Evolution (445 pp.). Musicae Scientiae, Special Issue 2009-2010.

• Vitouch, O., & Ladinig, O. (2009). Preface. Musicae Scientiae, Special Issue 2009-2010, 7-11.

• Winkler, I., Haden, G., Ladinig, O., Sziller, I., & Honing, H. (2009). Newborn infants detect the beat in music. Proceedings of the National Academy of Sciences, 106,  2468-2471.

• Ladinig, O., Honing, H., Haden, G., & Winkler, I. (2009). Probing attentive and pre-attentive emergent meter in adult listeners with no extensive music training. Music Perception, 26, 377-386.

• Honing, H. & Ladinig, O. (2009). Exposure influences timing judgments in music. Journal of Experimental Psychology: Human Perception and Performance, 35, 281-288.

• Honing, H. & Ladinig, O. (2008). The potential of the Internet for music perception research: A comment on lab-based versus web-based studies. Empirical Musicology Review, 3, 4-7.

• Honing, H. & Ladinig, O. (2006). The effect of exposure and expertise on timing judgments: Preliminary results. Proceedings of the International Conference on Music Perception and Cognition (pp. 80 – 85). Bologna: Italy.

• Strauss, S., Vitouch, O., Ladinig, O., Augustin, D., Carbon, C.-C., & Leder, H. (2006). Memory representations of musical tempo: Stable or adaptive? Proceedings of the International Conference on Music Perception and Cognition (pp. 90 – 94). Bologna: Italy.

• Strauss, S., Ladinig, O., & Vitouch, O. (2006). Kognitive Taeuschungen durch Prozentangaben: Der Fall der staatlich gefoerderten Pensionsvorsorge. In: Gula, B., Alexandrowicz, R., Strauss, S., Brunner, E., Jenull-Schiefer, B., & Vitouch, O. (Hrsg.). Proceedings zur 7. wissenschaftlichen Tagung der Oesterreichischen Gesellschaft fuer Psychologie (pp. 107 – 113). Lengerich: Pabst.

Conference presentations

• Liking for novel music: Effects of cognitive, emotional, and personality variables. Paper presentation at the 7th Triennial Conference of the European Society for the Cognitive Sciences of Music. Jyväskylä: Finland [13.08.09].

• Metric expectations and their violations. Oral presentation at the 12th Rhythm Perception and Production Workshop. Lille: France [15.07.09].

• An empirically validated model of complexity: Longuet-Higgins and Lee reconsidered. Paper presentation at the International Conference on Music Perception and Cognition. Saporro: Japan [26.08.08].

• Complexity judgments as a measure for metric salience: Is there indeed a difference between musicians and non-musicians? Paper presentation at the Conference of the Society of Music Perception and Cognition. Montreal: Canada [01.08.07].

• Complexity as a measure for rhythmic expectation. Paper presentation at the 11th Rhythm Perception and Production Workshop (RPPW). Dublin: Ireland [02.07.07].

• The effect of exposure and expertise on timing judgments: Preliminary results. Paper presentation at the 9th International Conference on Music Perception and Cognition. Bologna: Italy [22.-26.08.06].

Other talks, presentations, & abstracts

• The relation between the experience of emotions in music and the appreciation thereof. Talk given at the Music Theory & Cognition Colloquium, School of Music, Northwestern University. Chicago [01.03.10].

• Honing, H., Ladinig, O., Winkler, I., & Haden, G. (2009). Is beat induction innate or learned? Probing emergent meter perception in adults and newborns using event-related brain potentials (ERP). The Neurosciences and Music III — Disorders and Plasticity: Annals of the New York Academy of Sciences, 1169, 93–96.

• Temporal expectancies and the perception of rhythmic complexity. Talk given at the Department of Psychology, University of Toronto Mississauga. Toronto: Canada [10.12.08].

• Honing, H., Ladinig, O., Winkler, I., & Haden, G. (2008). Probing emergent meter perception in adults and newborns using event-related brain potentials: a pilot study. Proceedings of the Neuro Music III Conference. Montreal: McGill University.

• Lecture on music cognition research. Given at Codarts research, Hogeschool voor de Kunsten, Rotterdam, within the frame of the course “Research Methods and Techniques for Masters of Music Students” [18.01.07].

• Using a web-based setup for music cognition research. An example. Talk given at the Opening of the virtual knowledge Studio on e-science (Symposium “Web, digital media and virtual ethnography). Trippenhuis, Amsterdam: Netherlands [11.10.06].

• Ladinig, O. & Vitouch O. (2005). The prominent role of voice in melody recognition. Poster presentation at the 2nd international conference “The Neuroscience and Music – From perception to performance”, Leipzig / Germany, May 5th to 8th, 2005.

• Ladinig, O. & Vitouch O. (2005): The prominent role of voice in melody recognition. In Manenica, I., Martinović, A., & Šimić, N. (Eds.), 7th Alps-Adria Conference in Psychology – Book of Abstracts (p.208). Zadar, Croatia: Department of Psychology, University of Zadar. Poster presentation at the 7th Alps-Adria Conference in Psychology, Zadar / Croatia, June 2nd to 4th, 2005.

• Cesnik, H., Ofner, F., & Ladinig, O. (2005). Abiturient/inn/en zwischen Beruf und Studium: Ein Methodenvergleich ueber den Einfluss der Familienstruktur. Presentation at the 4th SPSS Academic Convention, Potsdam/Germany, June 8th, 2005.

• Gula, B., Ladinig, O., Zdrahal-Urbanek, J., & Vitouch, O. (2004). Recognition and Seniority: Two universal cues in judment and decision-making. In L. Garcia-Marques et al. (Eds.), 6th European Social Cognition Network Meeting – Book of Abstracts (p. 26). Lisboa, Portugal: Faculdade de Psicologia e de Ciências da Educação, Universidade de Lisboa / Strasbourg, France: European Science Foundation (ESF).